Frankenstein and True Blood Discovering the Gothic

Frankenstein and True Blood: Discovering the Gothic Defining what the gothic is can be tough. It’s one of those words that most people think they have a grasp on in their mind, but trying to explain it ends in a loss for word. That’s why sometimes the best way to explain something is though what it explores as a genre, otherwise known as tropes. In this paper I will be defining certain tropes of the genre through the classic gothic text Frankenstein, and comparing that with the modern gothic of true blood. The goal being to figure out how these pieces of fiction are the same, even though they are completely separated by time and medium, what is it that truly, likes master and creator, binds these two together and as a result binds the entire genre together. The main focus of Frankenstein deal with Dr. Frankenstein retelling his tale of depravity and descent with his creation of the unholy beast we’ve come to know as Frankenstein. But I’m not so much intere sted in victor as I am with the monster and his existence and ties to the world and his view of his master. The section of True Blood I will be dealing with is mainly covered in season two in which Bill; a vampire is forced to create a new vampire from an innocent girl, Jessica, as punishment for his crimes. Through this he becomes the master of this girl because he is her creator. But again, Bill is not the focus here, Jessica is what does her transformation from innocent church goer to a creature that is deemedShow MoreRelatedThe Gothic Theme in Dracula by Bram Stoker Essay907 Words   |  4 PagesThe Gothic Theme in Dracula by Bram Stoker Bram Stokers Dracula is a true Gothic novel that belongs on any gothic literature course. Focusing in on the recurring themes, characters and settings used throughout the novel one sees how Dracula has set the standard for Gothic literature today. The theme in Dracula is that classic Gothic theme of the epic battle of good versus evil. In this novel this is expressed in a very direct way, there is never any question as to who is right and whoRead MoreWhat Makes A Monster? Essay1461 Words   |  6 Pagesmonster conjures up figures from gothic horror of exotic peoples with horrifyingly exaggerated features, and the kinds of impossible delusive beasts inhabiting the pages of medieval bestiaries. Well at first I thought exactly that. When I used to hear the word â€Å"monster†, my mind immediately pictured the petrifying beast that took residence under my bed for a substantial portion of my childhood. It had demonic beating red eyes, razor sharp teeth that glistened with fresh blood and amphibian like scales coveringRead MoreMary Shelley s An Epic Battle Between Man And The Supernatural2012 Words   |  9 PagesEnglish writer during this time period, used Gothic and Romantic elements of writing to convey the relation bet ween the natural world and what she saw as the corrupted world of scientific study and industrialization; with large influence from her father who was a political philosopher and her husband, another Romantic poet. In one of Shelley’s most famous works, Frankenstein, an epic battle between man and the supernatural unfolds. Doctor Victor Frankenstein devotes his studies to reviving the dead,Read MoreMary Shelleys Frankenstein Essay2290 Words   |  10 PagesMary Shelleys Frankenstein Mary Shelley is an author who wrote the novel of Frankenstein. Mary Shelley herself in her life, experienced many deaths of close friends and family. When she was first born her mother died, furthermore Mary had a baby, who died 12 days later and her husband Percy Shelly drowned. Maybe it was these experiences, which led Mary Shelley to write such a novel of great horror published in 1818. Frankenstein itself is called the modern PrometheusRead MoreThe Period Called Romanticism: Representations of Terror in Literature2051 Words   |  9 Pages English writers of the Romantic period believed individualism as being the most important feature; they valued subjectivity, imagination, and the expression of emotions over rational thought as a true source of aesthetic experience. Before the 18th Century, few writers were concerned with discovering their own individual identities and feelings but the changing economy of the industrial revolution helped to widespread the interest for individualism, creating a deep shift in the attitudes to art